While creating sculptural collaborations with Emmanuel Wolfs under the WOLFS+JUNG label, exploring philosophical concerns through various materials and cultural contexts across Europe, China, and Korea, Jung has also investigated other media, such as textile-based works and ink on paper.
Her Korean Compositions series reinterprets contemporary Korean apartment floor plans as abstract colour compositions by employing traditional Jogakbo patchwork and Obangsaek's five primary colours. Included in the permanent collection of M+ Museum, Hong Kong, these works examine spatial and cultural transformations of modern Korean society.
In recent years, Jung's practice has focused on the philosophical dimensions of time, repetition, and natural cycles. Through ink on mulberry Hanji paper, collage, and textiles, Jung's work reflects on temporal experience, memory, and the continuous flow of lived existence. Her meditative compositions, arising from sustained observation of natural processes, are expressed through repetitive mark-making and the layering of various materials and techniques.
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